Un poco de aqui y otro poco de alla
cosas que me gustan / random bullshit
Un poco de aqui y otro poco de alla
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clear-glass:

Thin Black Lines / Nendo
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letmypeopleshow:

Take a walk on the tiled side: Katrín Sigurdardóttir’s spectacular Sculpture Center floor
A fairytale Baroque pavilion was the concept Katrín Sigurdardóttir had in mind for the ornate sea of tiles she calls Foundation.
She made the first version of her spectacular floating platform in Venice, in the old laundries of the Palazzo Zenobio, for the Iceland pavilion of last year’s Biennale. Now she has reconfigured it for the last stop in its tour, the former trolley repair facility that houses the Sculpture Center in Long Island City, Queens.
There, its profusion of ornament summons visions of palaces and trade routes and the armies of artisans who maneuvered its intricate puzzle pieces in place. Feel free to walk on it, or maybe dance.
letmypeopleshow:

Take a walk on the tiled side: Katrín Sigurdardóttir’s spectacular Sculpture Center floor
A fairytale Baroque pavilion was the concept Katrín Sigurdardóttir had in mind for the ornate sea of tiles she calls Foundation.
She made the first version of her spectacular floating platform in Venice, in the old laundries of the Palazzo Zenobio, for the Iceland pavilion of last year’s Biennale. Now she has reconfigured it for the last stop in its tour, the former trolley repair facility that houses the Sculpture Center in Long Island City, Queens.
There, its profusion of ornament summons visions of palaces and trade routes and the armies of artisans who maneuvered its intricate puzzle pieces in place. Feel free to walk on it, or maybe dance.
letmypeopleshow:

Take a walk on the tiled side: Katrín Sigurdardóttir’s spectacular Sculpture Center floor
A fairytale Baroque pavilion was the concept Katrín Sigurdardóttir had in mind for the ornate sea of tiles she calls Foundation.
She made the first version of her spectacular floating platform in Venice, in the old laundries of the Palazzo Zenobio, for the Iceland pavilion of last year’s Biennale. Now she has reconfigured it for the last stop in its tour, the former trolley repair facility that houses the Sculpture Center in Long Island City, Queens.
There, its profusion of ornament summons visions of palaces and trade routes and the armies of artisans who maneuvered its intricate puzzle pieces in place. Feel free to walk on it, or maybe dance.
letmypeopleshow:

Take a walk on the tiled side: Katrín Sigurdardóttir’s spectacular Sculpture Center floor
A fairytale Baroque pavilion was the concept Katrín Sigurdardóttir had in mind for the ornate sea of tiles she calls Foundation.
She made the first version of her spectacular floating platform in Venice, in the old laundries of the Palazzo Zenobio, for the Iceland pavilion of last year’s Biennale. Now she has reconfigured it for the last stop in its tour, the former trolley repair facility that houses the Sculpture Center in Long Island City, Queens.
There, its profusion of ornament summons visions of palaces and trade routes and the armies of artisans who maneuvered its intricate puzzle pieces in place. Feel free to walk on it, or maybe dance.
letmypeopleshow:

Take a walk on the tiled side: Katrín Sigurdardóttir’s spectacular Sculpture Center floor
A fairytale Baroque pavilion was the concept Katrín Sigurdardóttir had in mind for the ornate sea of tiles she calls Foundation.
She made the first version of her spectacular floating platform in Venice, in the old laundries of the Palazzo Zenobio, for the Iceland pavilion of last year’s Biennale. Now she has reconfigured it for the last stop in its tour, the former trolley repair facility that houses the Sculpture Center in Long Island City, Queens.
There, its profusion of ornament summons visions of palaces and trade routes and the armies of artisans who maneuvered its intricate puzzle pieces in place. Feel free to walk on it, or maybe dance.
letmypeopleshow:

Take a walk on the tiled side: Katrín Sigurdardóttir’s spectacular Sculpture Center floor
A fairytale Baroque pavilion was the concept Katrín Sigurdardóttir had in mind for the ornate sea of tiles she calls Foundation.
She made the first version of her spectacular floating platform in Venice, in the old laundries of the Palazzo Zenobio, for the Iceland pavilion of last year’s Biennale. Now she has reconfigured it for the last stop in its tour, the former trolley repair facility that houses the Sculpture Center in Long Island City, Queens.
There, its profusion of ornament summons visions of palaces and trade routes and the armies of artisans who maneuvered its intricate puzzle pieces in place. Feel free to walk on it, or maybe dance.
letmypeopleshow:

Take a walk on the tiled side: Katrín Sigurdardóttir’s spectacular Sculpture Center floor
A fairytale Baroque pavilion was the concept Katrín Sigurdardóttir had in mind for the ornate sea of tiles she calls Foundation.
She made the first version of her spectacular floating platform in Venice, in the old laundries of the Palazzo Zenobio, for the Iceland pavilion of last year’s Biennale. Now she has reconfigured it for the last stop in its tour, the former trolley repair facility that houses the Sculpture Center in Long Island City, Queens.
There, its profusion of ornament summons visions of palaces and trade routes and the armies of artisans who maneuvered its intricate puzzle pieces in place. Feel free to walk on it, or maybe dance.
letmypeopleshow:

Take a walk on the tiled side: Katrín Sigurdardóttir’s spectacular Sculpture Center floor
A fairytale Baroque pavilion was the concept Katrín Sigurdardóttir had in mind for the ornate sea of tiles she calls Foundation.
She made the first version of her spectacular floating platform in Venice, in the old laundries of the Palazzo Zenobio, for the Iceland pavilion of last year’s Biennale. Now she has reconfigured it for the last stop in its tour, the former trolley repair facility that houses the Sculpture Center in Long Island City, Queens.
There, its profusion of ornament summons visions of palaces and trade routes and the armies of artisans who maneuvered its intricate puzzle pieces in place. Feel free to walk on it, or maybe dance.
letmypeopleshow:

Take a walk on the tiled side: Katrín Sigurdardóttir’s spectacular Sculpture Center floor
A fairytale Baroque pavilion was the concept Katrín Sigurdardóttir had in mind for the ornate sea of tiles she calls Foundation.
She made the first version of her spectacular floating platform in Venice, in the old laundries of the Palazzo Zenobio, for the Iceland pavilion of last year’s Biennale. Now she has reconfigured it for the last stop in its tour, the former trolley repair facility that houses the Sculpture Center in Long Island City, Queens.
There, its profusion of ornament summons visions of palaces and trade routes and the armies of artisans who maneuvered its intricate puzzle pieces in place. Feel free to walk on it, or maybe dance.
letmypeopleshow:

Take a walk on the tiled side: Katrín Sigurdardóttir’s spectacular Sculpture Center floor
A fairytale Baroque pavilion was the concept Katrín Sigurdardóttir had in mind for the ornate sea of tiles she calls Foundation.
She made the first version of her spectacular floating platform in Venice, in the old laundries of the Palazzo Zenobio, for the Iceland pavilion of last year’s Biennale. Now she has reconfigured it for the last stop in its tour, the former trolley repair facility that houses the Sculpture Center in Long Island City, Queens.
There, its profusion of ornament summons visions of palaces and trade routes and the armies of artisans who maneuvered its intricate puzzle pieces in place. Feel free to walk on it, or maybe dance.
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Rooney Mara as the Sociopath | NY Times: Touch of Evil (x)

Rooney Mara as the Sociopath | NY Times: Touch of Evil (x)

Rooney Mara as the Sociopath | NY Times: Touch of Evil (x)

Rooney Mara as the Sociopath | NY Times: Touch of Evil (x)

Rooney Mara as the Sociopath | NY Times: Touch of Evil (x)

Rooney Mara as the Sociopath | NY Times: Touch of Evil (x)
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archiveofaffinities:

Jože Plečnik Proposal for Slovenian Parliament Building, Section, Ljubljana, Slovenia, 1947
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untrustyou:

Marta Castaldo 
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humanoidhistory:

July 20, 1969 — While Neil Armstrong was taking a picture of Buzz Aldrin, Aldrin’s visor was taking a picture of Armstrong.
humanoidhistory:

July 20, 1969 — While Neil Armstrong was taking a picture of Buzz Aldrin, Aldrin’s visor was taking a picture of Armstrong.
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infiniteinterior:

Graham McKay (Misfits’ Architecture) on Kazuo Shinohara’s Houses
infiniteinterior:

Graham McKay (Misfits’ Architecture) on Kazuo Shinohara’s Houses
infiniteinterior:

Graham McKay (Misfits’ Architecture) on Kazuo Shinohara’s Houses
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arqsa:

by Waheed Akhtar
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